Middle School

Put the kids in charge

There’s nothing quite like the intensity, the chaos, the one-crisis-after-another, the sorry-I-can’t-help-you-go-find-someone-who-can, the exhilaration, jubilation and exhaustion of the first day of production in a middle school broadcast media class.

My brand new group of 7th and 8th graders had met six times in the first couple weeks of school (90 minutes, every other day) and our audience was antsy for a show. Our news program delivers the daily announcements to the staff and students, and at the start of the school year there is a lot of information that students need.

KTV Sports/Weather Studio

Adjusting the sports/weather camera and tele-prompter.

So after just six class periods of training 12- and 13-year-olds to write scripts, create graphics, film and edit video shorts, set up cameras and lights, read from (and pace) tele-prompters, load media onto a TriCaster, manage the audio, direct the anchors, and operate a video bus and TriCaster during filming (which includes green screen technology, switching between four cameras and four student anchors, and incorporating graphics and videos during filming), it was time to get our first show on the air.

Anchors and tele-prompter manager.

7th grade student learns to pace the tele-prompter for the KTV news anchors.

Suffice it to say, chaos reigned. The script team struggled with the language of dates (“If I’m writing the script today for a show that airs tomorrow, which day is “today,” which is “tomorrow” and what is “next week”?); the graphics team spent far too much time looking for just the right “labeled for reuse” image for the Icebreaker Dance announcement; the producer couldn’t find camera angles that worked for students under five feet tall and those well over six feet; the floor manager nearly fried her Fitbit chasing down graphics and videos from computers all over the classroom and delivering them to the tech team; the audio team assured us the audio was fine (but, par for the course, it was not fine at all); the bus operator kept switching to the wrong camera at the wrong time; and the TriCaster team fought the never-ending battle of green fuzz around the anchors’ heads.

Graphics team

Students learn to create graphics for the KTV news show.

But when the bell rang for lunch, our first show was finished, uploaded to YouTube and tweeted out on Twitter. And the best part? The kids applauded, slapped high fives, and walked out of the classroom taller, prouder and more confident than they had felt that morning. That show was theirs, warts and all, and they knew that they had a part in its production. (Click below to watch our first show of the 2018-19 school year.)KTV

In my 25+ years as a middle school teacher, I have never seen a class that inspires students to take responsibility, invest in their work, own their efforts and develop confidence like I see in this broadcast media class. And I’m pretty sure this happens in large part because I can’t answer all their questions and I can’t solve all their problems. There are far too many tasks and far too many crises for a teacher to be in charge. No, the smartest move I made in that class was to tell them from day 1, “I will not be able to solve all the problems, so don’t ask. Find someone who can help you.”

KTV job board

It takes all hands on deck to produce a daily news show.

KTV tech team

Students run the entire show, including the bus, TriCaster and audio.

It’s not easy to let students struggle, to watch them fail, but when I don’t step in to help, they collaborate, communicate and problem-solve to get that show produced. As their “teacher,” it is an honor and inspiration to step back and watch them take charge.

(For more information on our award-winning broadcast media program, see this post that I wrote for KQED; this series on EducatorInnovator’s The Current; and this video from our 2016 Jack London Award for Innovation in Education from Sonoma State University.)

 

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#NaNoWriMoTinyTip: Houses & Hamburgers

The first few years that my students and I wrote novels with NaNoWriMo, I neglected settings. This wasn’t intentional, but my main concern was helping my students plan enough of a plot that they would be able to keep writing for the full month. My lack of novel-writing experience caused me to miss the fact that settings make a big difference in adding more story, more conflict, more ways to move the story forward while also revealing more about our characters. Last year we discovered a great way to detail settings for our novels before we start writing.

First, though, I want my students to see why settings matter. They read The Outsiders in 7th grade, and since it is a story that most of them love and remember, it serves as a great reference when we plan our own novels. The settings in S.E. Hinton’s classic novel show us just how valuable our own stories’ settings can be:

  • Ponyboy’s home and neighborhood, where we see the bond of the brothers who try to support each other without their parents; plus we see the fear and danger of walking the streets of their neighborhood, and the support the Greasers give each other when one of them is jumped by Socs.
  • The drive-in theater, where we see Cherry take on Dallas, and where she and Ponyboy begin to get to know each other.
  • The abandoned church, where Johnny and Ponyboy hide, and where we see their friendship develop. Later we see how courageous and generous the Greasers are when they risk their own lives to save children who are trapped in the burning church.
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Photo by Harry Miller on Unsplash

Looking back at these settings helps my students understand why they need to decide which settings will be important in their novels. But where do they get ideas for settings? How do they create settings that are realistic? #TinyTip answer: the Chamber of Commerce.

After my husband and I enjoyed a vacation in Grand Lake, Colorado, I decided to set my next novel there. I loved the tiny mountain town, the beautiful lake, the downtown boardwalks, and the live theater. But as a California native, I didn’t know much about living in Colorado. Thank you, Grand Lake Chamber of Commerce, for providing ideas for not just places, but also local hangouts, activities, festivals, and weather. After all, a novel set in Colorado must have some snowy winter scenes, and that is far outside my own experience.

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Photo by Alisa Anton on Unsplash

Even if my students want to set their stories in fictional towns, using a Chamber of Commerce site for that area of the country will help them plan settings that will improve their stories. Writing science fiction? Fantasy? Your characters still need places to live, to travel, to hangout, to enjoy a burger… and Chamber of Commerce sites are gold mines for setting ideas. Students can even visit Chamber of Commerce sites all over the world with this international list.

Where do you get ideas for your novel’s settings? How do you make them realistic?

#NaNoWriMo: ask the experts

I’ve never published a novel of my own, so it’s intimidating to ask my students to write a novel under my tutelage. But since the answer to just about every question can now be found online, I decided this year to ask my students to search the web for writing advice from those most qualified to give it: published writers.

Much of the wisdom they found echoes what I will be teaching them in the next few weeks. Maybe my lessons will carry a bit more weight since the experts said it first!

  • Don’t give up. Trust your journey.

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  • Editing matters. Write truth.

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  • Your story matters.

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  • Make it real; make it scary; and … cliffhangers.

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  • Make it human (but don’t let your mom read it).

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  • Also good: tension and snap.

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  • When you get discouraged, remember: the world needs your novel!

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What advice do YOU have for my #WriMos?

 

Always a learner; also a teacher.

Screen shot 2014-10-04 at 1.29.05 PMGreetings! I have been teaching middle school since 1988: first English Language Arts, and now also Digital Design Lab and Broadcast Media. I present workshops for teachers on technology in the classroom, project-based learning, and writing; plus I work with Edutopia and KQED Learning. I love to connect with other educators, so please enjoy my site, check out my how-to NaNoWriMo site, see my students’ novels for sale on Amazon, and contact me here or via Twitter @LAMBRADLEY.

Loving the homestretch: meaningful work and active engagement

Oh, these crazy days of May! As sure as the weather gets warmer, our students get antsy, lose their focus and challenge our well established rules and expectations. Attention spans wither and distractions bloom. But thanks to the engaging nature of PBL and student choice, I love my classroom in May.

Although my students know the year is almost over, they are (for the most part) fully engaged in meaningful work. They have invested weeks (even months) into final projects, and they know that due dates are right around the corner. They are proud of the work they have done and eager to see it all come to fruition in a completed, published form.

So instead of battling distracted students and misbehavior in May, I have the pleasure of circulating as they work, answering questions, admiring their progress, and enjoying the beauty of students blushing with pride as they show off their best work.

My 8th grade English students are putting the final touches on their magazines, a project that allows them to pursue a topic of interest to them, while also building their skills in essay writing, graphic design, media, advertising, target audience, and long-term project completion.

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Overlapping with the publication of their magazines is the completion of their digital portfolios, where they reflect on the work they have done this year, highlight their best pieces, and add symbolic images. Students spend the final class days presenting their portfolios to the class.

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My favorite part of their portfolios is the final piece: a gratitude slide, where students represent their journey with one final symbolic image and thank an adult on campus for their impact on their lives. Middle schoolers can be a bit self-absorbed, but with just a little prompting, they can see and appreciate how the adults in their lives have affected them. And it is through these final slides that we see not just the appreciation of teachers, but also counselors, administrators, campus supervisors, coaches, office and cafeteria staff. My students are fortunate to have so many inspirational role models across our campus:

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How do you keep your students engaged in meaningful work during these final, crazy days of May?

Brainstorm backwards, then look ahead

The first time I read Billy Collins’ poem “On Turning Ten,” I thought it would be wonderful if my 8th graders wrote poems about the nostalgia of childhood and the uncertainty of growing up, since they were kind of in the middle: finished with elementary school and looking forward to high school. We watched a video of Collins reciting the poem, and I distributed it on paper so we could dig in to the imagery that made the poem so powerful. We talked about the value of specific details (“I could make myself invisible by drinking a glass of milk a certain way,” “my bicycle never leaned against the garage as it does today, all the dark blue speed drained out of it”), and then they started working on their own poems.

Bicycle at Venice Beach, by Michael, flickr.com

Bicycle at Venice Beach, by Michael, flickr.com

But before long, they started complaining. They didn’t know what to write. They didn’t understand why Collins would compare growing up to “a kind of measles of the spirit, a mumps of the psyche, a disfiguring chicken pox of the soul.” They didn’t get the nostalgia at all. One student helped me see why the assignment that I thought would be so sweet was falling flat: “Mrs. Bradley, we aren’t sad about growing up! We can’t wait to get to high school, to learn to drive, to get a job!”

Ah ha. Now I got it. They were a little young to be feeling nostalgic about childhood; in fact, they were still in it. Collins, after all, didn’t write “On Turning Ten” when he was nine going on ten. He waited until he was an adult and could appreciate those years.

But I wasn’t ready to give up. I knew my students would experience rollercoaster emotions as they hurtled toward the end of 8th grade and began to anticipate moving on to high school. It may not be cool to fear growing up, but many of them were feeling just what Collins did; they just didn’t know how to identify and express it.

boys being boys, by Mighty mighty bigmac, flickr.com

So we worked backwards. They took out their notebooks for some brainstorming. We started with kindergarten, 1st grade, 2nd grade: what clothes do you remember wearing? What TV shows did you watch? What did you do at recess? What did you eat for lunch? Who were your teachers? Your friends?

Thinking of my now-grown children, I tossed out some memories of my own: “Did you wear those light-up shoes?” The room exploded! “I had those!” “Those were soooo cool!” “I had the rolling ones!” And then I asked, “Did you watch Blue’s Clues or Sponge Bob?”

The room was filled with happy remembering. Now it was my turn to be quiet while they got lost in the details of their childhoods. They brainstormed with their friends, bouncing memories off each other until the room swirled with sweet nostalgia, these just-turned-teens so worried about being cool, laughing as they remembered their worn out superhero costume that they insisted on wearing everywhere, including the grocery store.

Anders Ruff superhero party by Becca Bond Photography

Anders Ruff superhero party by Becca Bond Photography, flickr.com

Now I know that we need to start this assignment with backwards brainstorming, giving them time to fall into nostalgia on their own, to appreciate their innocent little selves before they think about growing up. And then when we read “On Turning Ten,” they get it. They sigh at the closing lines:

“But now when I fall upon the sidewalks of life,                                                                                    I skin my knees. I bleed.”

They understand those sidewalks now, and when they write their own poems, they are so sweetly nostalgic they make me cry, every time:

Now it’s time to hang up my invisibility cloak.                                                                                               Now you see me                                                                                                                                                       Exposed to pain and responsibilities.  ~Humberto

I was the crazy little girl who jumped off her bed                                                                                                 thinking I would dive into the ocean                                                                                                                       but instead ended up with a sprained arm.  ~Dulce

Math Facts, book reports, mission project, and cursive writing                                                                     These things troubled me about turning 10                                                                                                            I was worried about big changes.  ~Lucas

I won’t cry out of sadness                                                                                                                                              I refuse to give in to my fear                                                                                                                                         I can’t let go of the warm rays of sun on my skin                                                                                                 I’ll never let go of my imagination.  ~Brenna

Even if the images were in the past they stay with me forever,                                                                         all I have to do is open my mouth and tell my story with a smile.  ~Amelie

Sometimes a lesson has to go wrong before we can get it right. Right?